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An Introduction to Tarot
© 2006 Honora Finkelstein

Tarot cards have an uncertain origin. Most researchers will agree that they first appeared as symbols on pieces of cardboard or sturdy paper in about the 14th century in Europe. But the symbols themselves go back at least as far as the temples of the ancient Egyptians, where similar images appeared. Some researchers believe they were created in the town of Fez in Egypt after the Library of Alexandria burned for the last time; their origin as a “game” is said to have been a ruse to hide the wisdom teachings they contained. There’s also a tradition that they were brought to the West by the Gypsies—hence, the connection with Gypsy fortunetellers. But there’s a whole school of thought suggesting that their true significance is to teach a mystical path to spiritual awakening—this school also ties the cards to the Hebrew mystical tradition of Kabbalah. 

Sometimes called “The Book of Books,” the cards are believed by many to be the symbolic keys to deep wisdom. There are two parts to a Tarot deck, what are called the Greater Arcana, which are 22 pictures or “paths of wisdom,” and the Lesser Arcana, which are 56 cards numbered into four suits. These are actually the basis for the 52 cards of modern playing card decks. 

The famous father of modern psychology, Carl Jung, believed the 22 pictures of the Greater Arcana were what he called archetypes, or universal roles that all humans in all cultures in all ages have played or must play in order to become psychologically whole. 

The Lesser Arcana cards are in four suits that represent the physical, mental, emotional, and spiritual aspects of human life. The coins are the physical, since metal is dug out of the earth, and also perhaps because money makes the physical world go round. The swords are the mental, since the way we think is often a two-edged sword. The cups are our emotional side, since water is often interpreted as our emotional nature. And the wands, or wooden staffs, are our spiritual nature—wood burns, and fire represents the spirit. The Lesser Arcana cards also use numerology or number symbolism to look at life’s events. Each suit has 10 numbered cards plus 4 court cards, a page, a knight, a queen, and a king. Each of these cards has numerological significance or, in the case of the court cards, personality significance for the individual. Coins and cups are considered to be feminine suits; swords and wands are considered to be masculine suits. 

In the modern playing deck, there are 10 numbered cards, plus three face cards in each suit: a jack, a queen, and a king. The knights are what dropped out. In the modern deck, the suit of coins has become the suit of diamonds, another valuable item of exchange from the earth. Swords have become spades. Cups have become hearts. And wands have become clubs. All the Greater Arcana cards have dropped away except the Fool or Jester, which became the Joker of the modern pack. 

As a Jungian reader, I like to think that the cards have a “psychodynamic” quality about them. I ask the people I read for to pull a certain number of cards, and I believe their psyches or subconscious minds will be more aware than their conscious minds of what they need to know and hear from me as their “reader.” So they'll pull those cards that most reflect what is going on in their own psyches. And it is my job to tell them, based on what they’ve drawn, what I think is going on within. In other words, a $25.00 card reading is a really inexpensive way to get a psychotherapy session! 

Other more gifted psychic readers may use the cards simply as a way of accessing their own psychic abilities—sort of as a psychic springboard to internal vision. Either way, the person being read will probably get some therapeutic insights. 

Ariel Quigley does a lot of Tarot readings for other characters in The Chef Who Died Sautéing. And she ties the cards to the study of Kabbalah in several places in the book. We will be looking more deeply at both Tarot and Kabbalah in the next several issues of our newsletter.

 

 

This website and all the material presented herein is copyright © 2006-2008
by Honora Finkelstein and Susan Smily.

Updated: 02/04/2008